Currently viewing the category: "Eggheadedness"

More from David Bentley Hart:

An “aesthetic” response to a postmodern insistence on the inescapability of violence is adequate only if it gives a coherent account of beauty within the Christian tradition itself; only if beauty belongs already to the Christian narrative, fully and consistently developed, and in such a way as to allay the suspicions it arouses, can the beautiful conceivably mediate Christian truth without the least shadow of violence.

 

Articles I recommended to students this morning and thought you might appreciate, too:

 

What’s in my browser and/or Instapaper queue today (which means I haven’t read most of it, but I was interested enough to open the link and plan to read it later):

  • An interview with Ken Myers (of Mars Hill Audio Journal, which I cannot possibly praise enough) from last year’s fall edition of Comment. In re-reading it, I find his suggestions to once again be immensely challenging.

    3. You believe individualism to be a corrosive, destructive force in the modern world. Do you have any suggestions for students who wonder how to live in way that is not individualistic in the context of today’s college or university?

    Some form of community is often prescribed as the antidote to individualism. But “community” involves more than getting together with a bunch of people just like you. So I would urge students to get involved as much as possible in the lives of people who are unlike them: different ages, different vocations, different stages in life. Local churches are (at least in theory) an ideal place for this, as long as the church doesn’t segregate students into the “student ministries.”

    Secondly, one of the great conveyors of individualism is the commodification of everything. Individualism goes hand-in-hand with the displacement of the idea of culture as a legacy or inheritance with that of culture as a set of sovereignly selected commodities. We now choose everything in our cultural life; we don’t simply receive anything. One way of fighting the mentality of individualism is to put oneself in a position where one is an apprentice, where one receives something offered rather than “consumes” it. For example, find someone (in that church community you’re a part of) who knows a lot about an ethnic food tradition and go to a restaurant with them, letting them choose the menu (and maybe you can even pay for their meal). Or find someone (a professor, even) who knows a lot about some artistic tradition that is foreign to you (German cinema, Renaissance choral music, English detective fiction) and apprentice yourself to them. You could do the same with master gardeners, cooks, bird watchers, woodworkers, motorcycle mechanics, even theologians. Yes, there is an initial act of individual choice, but submitting to someone else’s authority and expertise over time is a great way to fight the temptation to assert our own sovereignty.

  • From the Guardian: “Technology and the novel, from Blake to Ballard
  • Steve Garber in the Art House America blog on “The Epistemology of Love
  • Several students have approached me about leading film conversations in different contexts on campus this year, so I’m looking back at the Arts & Faith Top 100 list. (I think Babette’s Feast may be first on my list.)
  • Obama gets the new Franzen novel early, panic ensues. (I have checked Amazon basically every day hoping that the novel – which I preordered what seems like millenia ago – has shipped. It has not. I may be a little obsessed.)
  • Kevin Spacey will be in the Bridge Project’s Richard III at BAM this winter – directed by Sam Mendes.
  • David Brooks as public theologian?
 

I do have a degree in information technology and computer science from a very old, very well-respected engineering school, but I stayed miles away from anything resembling sci-fi while I was there. I was a senior before I saw the Star Wars trilogy, and my introduction to Star Trek was last year’s blockbuster film, plus a little bit in a grad school class on Moby-Dick. (Incidentally, I also never played video games until we bought a Wii last summer, and I still, well, never really play them. Those neural pathways continue in their dormancy.)

Yet since I was a kid, I have always had a strange fascination with space. Not space travel, or planets, really. More with the weird stuff that might go on out there.

After I was finally convinced to watch (and then converted to the cult of) Battlestar Galactica, the single most chilling moment for me is still when someone is shot out of their craft and freezes while free-floating in outer space. I think I may have had a recurring nightmare of a similar event in the past.

Sunshine, a flawed but deeply thought-provoking (and incredibly scary) sci-fi film that Danny Boyle made a couple years ago, has a similar theme of being abandoned in deep space, without plans or ability to return home. I only saw the film once, not long after it released to DVD, and I still find myself thinking of it, chilled by it. (Despite its flaws, I highly recommend it.)

Anyhow, the point of all this: We started watching X-Files earlier this year, when it came to Netflix (all nine seasons, streaming!), and I have been holding my breath all through the first season, knowing that this is going to bust wide open. I don’t really watch the hour-long drama genre – certainly not the vaguely cop/crime kind – but I got into this really fast. It’s been standalone episodes, but we just finished the first season and I’m delighted that an arc is emerging.

I do recognize that I’m the last person on earth (ahahaha) to actually watch the show, but that said, I insisted we dive directly into season 2. My hopes for this season include the Mulder/Scully romance that is obviously going to emerge, some kind of actual face-to-face alien contact, and, most obviously, a much better wardrobe for Scully.

If you’re inclined to comment, please resist the know-it-all urge and don’t ruin anything for me. :)

 

Two announcements:

  • My dear friend Jenni (who I have known from a distance for several years and am delighted to be rooming with at The Glen in a week or so) has been working very hard on the Art House America site – and it’s finished, as of last night. So go read, gawk at the loveliness, and enjoy.
  • I’m delighted to be the faculty advisor for the newest women’s house at King’s, named for Corrie ten Boom. (You can read the announcement here from last spring.) I know several of the girls from my class last year, and I am very excited to be joining them as they embark on their first year, and to be able to engage in student life at King’s in my first year.

Things I am pondering:

  • The perennial question: M.F.A. or Ph.D., or both, and in which order? Do I need to study craft or history? Where, how, when? Do I need prerequisites? And how can I avoid paying for it? These things roll around in my head a lot, and they’ve come back lately in a kind of aggravated existential crisis. (What do you think?)
  • I asked this question of a number of teacher/writer friends in an email, but I’ll ask here, too: if you do both, how do you manage both? Do you schedule time for writing into your office time? Or is it haphazard?
  • Similarly, blogging friends: do you find that blogging takes away from or enhances your writing time? I used to say that blogging was exercising the writing muscle. Then I stopped blogging. And I think maybe I was right, but it’s hard to start again.
  • Jim Belcher’s book Deep Church, which, besides being incredibly engaging, compassionate, and reasoned, is also challenging, expanding, and clarifying my thinking in ways that few books have done of late (Jamie Smith‘s Desiring the Kingdom being one of those few). If you care about church and have been scurrying around the periphery of both relatively traditional evangelicalism and vaguely emergent churches for a while, like me, you can’t afford to skip this one. I promise: you haven’t read it before. And you’ll also enjoy it.
  • Speaking of Desiring the Kingdom, I’m struggling with how to develop thick practices in my students through teaching. I’m already committed to not setting deadlines for big assignments for Sunday night or Monday morning, because I know students, and many will not make Sunday into a day of rest if they know a project is due. I don’t want to teach them that behavior – it will burn them out. I’ve been there. I know. And I also plan to focus on Sabbath the week we also focus on poetry and description in my first-semester writing class this fall. But what else? I’m thinking about, for instance, Andi’s article on shelter and my own new (even if shared) office.

You know, just an average Friday morning.

 

Last weekend I was at Jubilee, conducting two workshops, meeting with people, and generally having an awesome time. We flew in Friday morning quite early because I had an editorial meeting for Comment, which, as it turns out, was a great time to meet – for me, at least. We solved all our problems and then proceeded to solve a bunch of others throughout the weekend.

After the meeting, Tom and I slipped out of the hotel to drop by the Andy Warhol Museum. It feels a bit weird to be reading all about Warhol – who defined a large part of New York’s culture scene in his time, and continues to do so – while not actually in New York, but the museum was quite interesting. It’s not laid out strictly by chronology or by medium, leaving you to draw some conclusions about the work as you work your way from the seventh floor down.

The conference itself started Friday night. The speakers were fabulous, as always – Don Opitz, the inconceivably awesome Bob Goff, John Perkins! and I won’t even try to name the rest. My workshops were fairly successful, and Tom’s was a smash bang-up success – so full that you couldn’t get your head in the door.

But the best part of these weekends is always the connections you make with others, and Jubilee is starting to feel like one giant reunion party with a lot of college students attending on the side. Besides giving workshops, I spent most of the weekend with my colleagues from Cardus (and thereby, most of them, from Comment), who drove down from Ontario, and are some of my favorite people in the world that I never get to see (though I did spent five hours on the “phone” aka Skype in a meeting with them yesterday, which, given the generally dismal state of five-hour conference calls, was pretty pleasant). We spent a lot of time laughing and drinking a variety of substances and talking with various interesting people about the future of the world at large. It was, quite frankly, splendid.

All good things come to an end, of course, and we got back Sunday night. This week has been, well, bumpy. Early mornings and too much work, and some really nasty weather. I feel like the avalanche is accelerating, since the IAM Encounter starts a week from today (good, but oy). I’m having a trickier time staying on top of grading this semester, which I attribute to the fact that while last semester I had one essay to grade each week, this semester they’re all kinds of different essays, spread gratuitously all over the semester. It’s okay. By the time I get the hang of it, the semester will be over.

It could just be February slump, though. I’m a New England girl through and through. I like winter, I really do. I like sweaters and scarves and boots, and bundling up, and I like how pretty snow is, especially since I don’t have to drive in it. I like hot drinks. Hockey is far and away my favorite sport.

But by late February, I always am feeling the SAD a bit. It always takes me by surprise, because I don’t consciously feel like I’m tired of it. I’m not even watching the Olympics (and in fact, the entirety of my Olympic watching this year was restricted to some background ice shuffleboard curling while hanging out with with crazy people Canadians). But I guess I could be ready to go running outside without being so bundled up. And I do get excited for toe ring season.

(Am I too old for toe rings? Every year I wonder if my inner hippie will sneak up on my outer chic New Yorker facade and I’ll be suddenly clad in toe rings and flared jeans or broomstick skirts.)

 

We celebrated the New Year sumptuously: games, pizza, and champagne with friends on Thursday night; a long, languid day of delicious food and old friends on Friday; a day spent at the Kandinsky exhibit at the Guggenheim, Cafe Sabarsky, and The Princess and the Frog with friends on Saturday; and church plus our favorite brunch spot on Sunday.

Tom went back to work very early yesterday morning. I worked too, but from home, and only kind of feel like I’m at work this week, since I have only two days in the office. But next week the semester starts, and so I am busily prepping materials for my two classes (one college writing class online, and two sections of the same research writing class in the actual classroom). The spring is a busy time, with several conferences and a lot of projects popping up, and so it’s important to be as organized as possible.

But all that organizing needs a respite, and so I have started recording the movies I watch along with starting the Fifty Two Fifty Two project. I haven’t finished a book yet this year, but I’ve gotten into Olive Kitteridge by Elizabeth Strout, the 2009 Pulitzer winner, which our book club is discussing next Tuesday, and I’ve read the first two interviews (Dorothy Day and Truman Capote) in the Paris Review Interviews, Volume 1 – which is completely delightful. I tend to read a whole bunch of books at once and finish them all on the same day.

Last: my doctor put me on a fairly restrictive diet because, as it turns out, I have Stage 1 hypertension – nothing to get too worried about, but also something I shouldn’t have at my age. And so I’m off dairy and gluten for a while, and eating a very specific amount of certain things. I found myself re-reading Jenni’s article from Comment a while back.

I’ve become quite in love with cooking and good food in the last year or two, enjoying the cheese counter at the local gourmet market and baking homemade bread, but I can receive these things again when I am well. It is good discipline for me to experience some “fasting” along with my feasting, and I suppose, in that sense, that Father Capon would approve.

 

Last night, I went with some friends to The New School for a panel on “Evangelicalism and the Contemporary Intellectual,” co-hosted by the literary journal n+1 and Eugene Lang College. Panelists included Malcolm Gladwell, James Wood, Christine Smallwood, and Caleb Crain (who moderated, mostly).

Of course, off the bat, one sees that there are no presently-evangelical intellectuals on that panel. (They’re all ex-evangelicals, to one degree or another.) As it turned out, this may have been a wise choice. The panelists spoke about their backgrounds and how their evangelical upbringing contributes to their work today as intellectuals, and then took questions from the audience. I suspect that had a known evangelical intellectual been on the panel – a philosopher, a minister, whatever – the Q&A session may have devolved into ad hominem attacks. It stayed mostly respectful, as these are non-evangelicals who nonetheless do not believe that evangelicalism is the worst thing to appear in America.

Gladwell grew up in Canada, son of a Jamaican mother and English father, and in a relatively staid British version of evangelicalism that doesn’t couple a particular politics with the faith, and I suspect this may have something to do with his ultimate conclusion that he’s “truly sad” that he doesn’t share his parents’ faith. He reiterated this point several times, and spoke of attending church in D.C. when he lived there. He remembered a communion service, which he said was one of the most beautiful things he’d experienced, and seems genuinely sad that nothing he will experience outside of that service will affect him in the same way.

Christine Smallwood’s background most closely mirrored my own: an evangelical church in New Jersey that slowly drifted toward contemporary evangelical expressions of faith (especially in worship), with a “WWJD” orientation. She spoke of the emotional focus that her church moved into, of the gradual dumbing-down of what they were taught. Now a Ph.D. candidate in literature and a former associate literary editor at The Nation, she made some interesting points about the “crisis of narrative” that evangelicalism’s overwhelming on conversion creates, and how that may play into the decline of the megachurch. She also said that the Bible taught her a lot about literature: that narrative is the best vehicle for delivering truth, that language is important, how to do what we call “deep reading.”

James Wood grew up Anglican, but his mother was Presbyterian, and it sounds like they were not terribly high church. In this discussion, he’s most notable for having written some scathing critiques of the “new atheists,” while not being a believer himself. (Look up his article “God in the Quad” from the August 31, 2009 issue of the New Yorker – it knocked my socks off when I first read it.)

All three are no longer believers, but their stance toward evangelicalism was fairly charitable, given the circumstances – more charitable in some cases than some of us who remain in the church. I have fairly detailed notes, but I’m mulling them over rather than just writing everything down here.

I think one of the things that struck me most, though, was when Mr. Wood said that he was drawn out of faith partially because he discovered the world of literature, where you could “talk about anything.” In other words, in fiction, you can encompass the totality of fiction. Nothing is off-limits simply because of its content. This rang true for me, in that there seem to be many books that evangelicals aren’t, or weren’t, “supposed” to read. This accounts for my long and detailed knowledge of mediocre Victorian novels and spiritual biographies (which were approved reading material), but my absolute lack of hundreds of other very necessary and empathetic books. (Innocuousness in a moral sense was more important than telling the truth “slant,” as Emily Dickinson said, and my year working at a Christian bookstore proved that this is not just a phenomenon among Christian fiction for young people, where it might perhaps be explainable.)

Nothing was said that particularly surprised me, but it’s refreshing to show up at an event like this and see some kind of strides being taken toward understanding, rather than categorical dismissal. It’s important for evangelical churches to see what kind of fruit their form of Christianity has reaped, both good and bad. I have a lot of hope that evangelicalism – in the true sense – will shed the vestiges of anti-intellectualism (something I’ve run into all my life, though I’ve been privileged to know some well-read, deep-thinking evangelicals) within my lifetime. I hope I can be part of that.

Even if real knowledge of evangelicals (the people who hold the theology, not the politically-powerful demographic) is woefully inadequate in the mainstream, at least they’re trying. As someone who lives somewhere in the middle between these two – evangelical theologically if not demographically, intellectually aspiring if not actually intellectual quite yet – I think I can see a place for me in there somewhere.

 

This past summer, as I realized that my graduate work was winding down, I came home one day and told Tom I wanted to start a book club.

So in August, we had the first meeting of the Bluestockings. Definition of bluestocking from Wikipedia:

A bluestocking is an educated, intellectual woman. Such women are stereotyped as being frumpy and the reference to blue stockings refers to the time when woolen worsted stockings were informal dress, as compared with formal, fashionable black silk stockings.

The term originated with the Blue Stockings Society – a literary society founded by Elizabeth Montagu in the 1750s. This provoked derogatory usage in the late 18th century, specifically in reference to women — previously the term had referred to learned people of both sexes. Such women have increased in number since, as women now enter higher education in large numbers. For example, in Britain, women are now 55% of new entrants to university and outnumber men at every level up to PhD.

It goes on to talk about the prejudice toward women who dress certain ways, but that’s only vaguely relevant to the group. We are young New York women, and so we are more or less fashionable (maybe less in comparison to some young New York women, but more in comparison to our friends in less hyperfashionable places).

In any case, we are all about reading good books, which at this point has been mostly literary fiction and some nonfiction. What we’ve read so far:

  • The Namesake, Jhumpa Lahiri
  • Lush Life, Richard Price
  • What I Talk About When I Talk About Running, Haruki Murakami
  • The Red Leather Diary, Lily Koppel
  • The Wordy Shipmates, Sarah Vowell
  • The Supper of the Lamb, Robert Farrar Capon
  • A Gate at the Stairs, Lorrie Moore

We’re reading Olive Kitteridge for January. We get together with snacks and drinks and talk about the book – and, of course, whatever’s going on in our lives. It’s completely delightful to read good books and talk about them with other people who actually like good books as well. I maintain that someone’s book list is a better indication than even their taste in film or music of “the tribe.” If you and I like the same books, we’re probably kindred spirits.

Many of us Bluestockings are also taking the Fifty Two Fifty Two challenge (read 52 books in 2010). Any books are allowed – YA novels, graphic novels, the world is your oyster, etc. If you want to join us, you can sign up here and occasionally drop in to list off what you’ve read recently. Most of us are also on Goodreads.

 

This was one of the last classes of the semester, and I gave my students a class-long revision exercise (to be performed individually and in groups), which they took to rather well.

While I was listening to the hum of their suggestions to one another – they appear to have learned something this semester, which is gratifying to me! – I jotted down a list in my notebook titled “Classes I Hope To Teach Some Day.”
- Postmodern fiction
- The essay
- Writing culture/arts criticism
- Film history/theory
- How to read a book
- How to watch a film
- From fiction to film (i.e., adaptation)
- World cinema
- Theology of aesthetics (or, alternately, theology of storytelling, or perhaps theology of the everyday – fashion, food, design)
- Basic web development and design

I can’t decide whether I need to specialize, because it’s academia, or generalize, because I am resolutely against the decline of the polymath. Also, I can’t decide if I’ve got ADD or am just voraciously, omnivorously interested in everything. Obviously, I’ve got problems.